On social media recently I came across a video someone had posted from Ho Chi Minh City. It was of a central square, which looked familiar, and as the camera turned, I saw the Rex Hotel, where I had stayed in 1994. There were a few new additions – a Gucci store – but the high-energy scene of traffic and people and lights was just as I had remembered it. I recalled how I would stand on the hotel steps, taking it all in and wondering how I could describe it to readers back in Florida, most of whom had never seen such a show. And, watching the video, I realized that travel writers are now relieved of the responsibility of description, for the physical world is now all on film.
Paul Theroux wrote about the realities of expat life in yesterday’s New York Times, listing, at one point, some of the countries Americans find popular and noting their drawbacks. Venomous snakes in Costa Rica; drug cartels in Mexico. For Portugal, all he could come up with were “parking problems.”
An interesting interview with Rick Steves in yesterday’s New York Times magazine, particularly when he talked about the personal costs of travel (though they were similar to those experienced by many workaholics). And he somewhat downplayed the environmental costs. He claimed that, if suddenly rendered unable to travel, he would embrace the situation, taking as much joy in the pleasures of home as he did those of the road. It reminded me of Jonathan Raban’s acceptance of, and fascination with, the stroke that ended his traveling life (which he brilliantly chronicles in his memoir Father and Son). Good travelers possess an innate optimism, and curiosity about things, that serve them well wherever they are.
Arthur Frommer died yesterday at the age of 95. Best-known at the author of Europe on 5 Dollars a Day, and founder of the Frommer travel guides, he was also the only person who ever called me out of the blue to offer me a job.
It was in the late ’90s. I had met Arthur once, when he spoke at the Barnes & Noble in Plantation to talk about his new magazine Budget Travel. I ended up writing a column about the evening, in which I said: “What Dr. Spock was to child rearing in the ’50s, and Masters and Johnson were to sex, Arthur Frommer was to travel.” Shortly after, a travel writer at the LA Times, who heard him speak in Los Angeles, told me Arthur used that line in his introduction.
So one afternoon, while I was sitting at my desk in the Sun-Sentinel newsroom, the phone rang and Arthur was on the other end. He said that he was stepping down as editor of Budget Travel and wanted to know if I would be interested in the job. Everything about the offer was appealing – editor of a glossy travel magazine in the media capital of America – except the nature of the publication. As its name suggests, Budget Travel was a practical magazine of tips and information, far from the evocative travel writing that I loved and, surprisingly, was allowed to do at the Sun-Sentinel. I told Arthur I’d think about it – Hania was intrigued by the idea of living in New York – but I eventually decided to stay in the provinces, putting out the kind of travel publication that gave me joy.
I think I made the right decision. After The Best American Travel Writing anthology debuted in 2000, the Sun-Sentinel’s name appeared in the first nine editions. Its last appearance came in 2008, the year I got laid off.
On my way back from Lancaster last week, I stopped in Wayne, a pretty Main Line town I used to hitchhike to when I was a student down the road at Villanova. Back then there was a paperback bookstore on Lancaster Pike; now there’s a bookstore, Main Point Books, on the perpendicular N. Wayne Ave.
Walking in I saw something I hadn’t seen in a while: a display of all the new Best American anthologies: Essays, Short Stories, Mystery and Suspense, etc. The one that caught my eye was Food and Travel Writing. Food had always had its own anthology, as had Travel, before it was discontinued in 2022. The return of travel writing was encouraging, even if it had to hitch its wagon to food.
Opening up the anthology, I found that almost all of the stories were about food – not surprisingly, as few writers had known about travel’s rebirth. One of the travel pieces was an essay on the fate of travel writing by the former editor of the Travel series, a man who, tellingly, now writes about wine and spirits.
Next year, presumably, there will be more of a balance. True, everybody eats and not everybody travels. But eating is almost always more pleasurable than reading about eating, while reading about travel is frequently more enjoyable than travel itself.
I spent Friday night at a motel outside Lancaster and in the morning drove the backroads of Amish country. The last time I did this was two years ago, on an evening in May (before a family reunion) when everything wore a fresh coat of green; now the farms were draped in gold. There was less activity at the start of a fall day than there had been at the end of a spring one, when men rode their horse-drawn plows and barefoot girls in bonnets worked in gardens. But I did see a bearded elder stuffing leaves into a bucket with his grandson, and two boys directing a team of horses. Most everyone who saw me gave me a wave. I stopped on one empty road to take a picture of laundry hanging on a line, the clothes arranged in groups of black, white, and solid colors.
I’ve been visiting this world since I was a child – my mother grew up in Mechanicsburg – and I am always touched by its beauty: the rolling fields, the barns and silos standing tall, the large farmhouses shaded by trees, the shiny black buggies parked in drives. There is a pleasing neatness to the land that is never sullied by political signs.